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Or the ES-1 is a slide holder, which with the best lens, quite much looks after all of this, very conveniently. There is benefit of having the slide physically connected to the lens - there is no camera shake. The ES-1 does this. Otherwise, just utilizing a brief wood board, with a 1/4"-20 UNC screw (regular stuff in any North American hardware shop) to hold the electronic camera at one end with its tripod socket, landenfaro269.lucialpiazzale.com/forget-slides-to-digital-10-reasons-why-you-no-longer-need-it and holding the slide holder in front of the lens (among them with a brief slot for adjustable moving distance to set focus distance to the slide), ought to work well.

BR-5 step-down, 2. K 5 ring, 3. ES-1 This Nikon 60 mm f/2.8 D AF macro lens has to do with $500, and there are other similar lenses. One individual commented that they leased a macro lens for $40 to do the task cheaply. It does appear a great concept to get your slide mounting/lighting setup mostly worked out before you rent the lens.

There is now a newer 60 mm AF/S lens, and a Nikon 40 mm AF/S DX macro lens, both of which have shorter working distance in front of the lens, and ought to work (on a DX electronic camera) without any additional spacers. The ES-1 attachés to a 52 mm filter thread, so it should fit any brand of DSLR.

There are of course other comparable thread adapters much cheaper. The ES-1 copy accessory is essentially an empty tube or spacer. It is 2 telescoping tubes actually, with a one inch length adjustment. It telescopes to hold the slide from between 45 mm to 68 mm in front of the lens filter thread.

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The macro lens does all of the optical work. DX cameras: (APS-C, 1.5 x crop factor) The ES-1 is created for a full frame electronic camera using the Nikon 55 mm f/2.8 macro lens. The problem is that for today's DX digital SLR with the 1.5 x or 1.6 x lens crop element, the 35 mm slide is half again larger than the DX sensing unit.

The 1.5 x crop sensing transfer photos from slides to digital unit now needs a smaller image, more like a 0.67 recreation size (which is 1:1.5), read more to fit the bigger slide onto the smaller sized sensor. That requires a longer operating distance in front of the lens. However the ES-1 does not adjust that far, which means that the cropped http://www.bbc.co.uk/search?q=slides to digital sensing unit body (1.5 x or 1.6 x crop element) requires an extra spacer in front of the lens so the ES-1 can be adapted to hold the slide farther out in front, to look like the smaller 0.67 size, so it will not be cropped excessively.

Instead, this is speaking of cost to transfer slides to digital an easy tube about 20 mm long, with 52 mm threads on both ends, that goes between the 60 mm lens and the ES-1, to extend the ES-1, to hold the slide a little farther out, to achieve more remote concentrate on the DX body.

So I utilized the K 5 tube revealed (only the one K 5 threaded tube, and NOT the remainder of the extension set), which works terrific with the ES-1 on DX with a 60 mm D lens. The K 5 tube is a basic aluminum tube, 20 mm long, with 52 mm filter threads at each end, and this use places it between the lens and the ES-1.

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The ES-1 telescopes almost an inch (24 mm), however 60 mm on a DX body requires this much more (and the telescoping still enables adjustment). Finding that extra extension for a cropped sensor body is the issue. See more about the Different circumstances: Numerous Nikon users tell me that a Nikon 40 mm f/2.8 G DX macro lens works well with the ES-1 without additional extension or adapter ring (it is a DX lens).

My 60 mm Nikon AF Micro Nikkor f 2.8 D lens needs a 20 mm additional spacer (included in between lens and ES-1) to cover the full slide frame on the Nikon 1.5 x DX DSLR. NOTE: Mine pointed out here is the older 60 mm D lens. But the more recent 60 mm AF-S lens is said to have a shorter working range in front of the lens at 1:1 (50 mm brand-new lens vs 71 mm old lens).

An old Nikon 55 mm f/3.5 macro lens on the DX electronic camera needs about 10 mm extension. These do 1:2, requiring their own extension tube (behind the lens) to reach 1:1. But just 1:1.5 is required to do slide copies on DX, and rather, 10 mm extension (in front of lens) decreases the obvious slide size to provide that.

I have not seen this lens, however it is stated to have a 90 mm working distance at 1:1, so this sounds comfortably right for slides at 1.6 x crop. A longer macro lens (like 105 mm) can obviously copy slides, however utilizing the ES-1 with them seems less sensible (needs significant additional extension, however not impossible).

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See the Nikon ES-1 instruction sheet. Complete frame (FX) video cameras: The Nikon ES-1 was designed for complete frame film bodies to copy mounted slides at 1:1 with a 55 mm macro lens. The ES-1 instruction sheet also includes the 60 mm f/2.8 D lens, defining it offers 0.96 to 1.0 recreation with the BR-5 mounting ring on a complete frame cam.

At right is using a full frame D 800 with 60 mm D lens utilizing the ES-1 at its maximum extension (alone, with just the BR-5). It needs less extension for a more detailed enlarged cropped view, however this longer 60 mm lens can not focus closer than 1:1. This existing view seems extremely functional if you crop each one a little (which you likely wish to do anyhow, most of the times).