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This indicates it should be better fit for the ES-1 (without additional extension). If scanning these old slides is your only goal, and assuming you already have the DSLR, and can find an extension tube for DX, you might compare the macro lens expenditure with a film scanner. The lens is not a movie scanner obviously, and a digital video camera will NOT appropriate to copy color unfavorable film, however it works for slides.
The Nikon 60 mm macro lens is exceptional for any close-up work, and I 'd assume the other comparable lenses are fantastic too. I predict the macro would http://edition.cnn.com/search/?text=slides to digital rapidly become your preferred lens. This ES-1 setup works very well for scanning installed slides quickly - like magic after you master it.
The macro lens optical quality is extraordinary, but the other aspects are possibly not truly optimal (haste, installing, framing, etc), not the like a genuine film scanner. However still rather simple, and which seems more than sufficient for this purpose to recapture thousands of old slides for sentimental functions.
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Honestly, due to the months of work that would be required on a movie scanner, this job went years without happening at all. Above is a sample image copied from a 1990 35 mm Kodachrome slide, using the ES-1 setup with the D 70S, 6 megapixels (is a cropped 1.5 x body).
The image is considerably bigger than your monitor screen, and to see complete size, you may have to conserve the larger image and view with an image editor, or you could turn off Automatic Image Resizing in your internet browser. The video camera macro lens appears the apparent bet for exceptional optical quality. :-RRB- Outcomes are undoubtedly sufficient. And did I mention it is really quickly? Testing extremes maybe, but here is the exact same slide copied with a Canon A 620 Power Shot compact video camera (point & shoot) in its macro mode. No additional accessory was utilized - its macro mode gets this close if zoomed to wide-angle.
Pixel dimensions are roughly equivalent to scanning at 2500 dpi. This was a quickly kludged setup for the one image here. (My method: keep stacking on things to fix the next instant issue). The video camera was on a tripod. The slide zionjlyy412.jigsy.com/entries/general/think-you-re-cut-out-for-doing-slide-conversion-to-digital-near-me-take-this-quiz was literally standing on edge on top of a light stand pole, held with a piece of tape.
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This light was a 150 watt household incandescent light (potentially 2900K?) in a 10 inch clamp-on utility reflector on a light stand (about 15 inches from slide), through a plastic Tupperware tray (yet another light stand) covered with a white bed sheet to diffuse it sufficiently (this lighted area must be a couple of feet broad, the slide at 1/2 inch is a broad angle situation).
The JPG was a little blue, and was adjusted here with -Blue and +Red. Auto direct exposure was ISO 100 and 1/80 2nd (dead time shutter https://www.washingtonpost.com/newssearch/?query=slides to digital to let video camera stop shaking). This video camera takes 4:3 photos, but the slide was 3:2, so completions are cropped. Or, a little transfer slides and negatives to digital bit more distance would have made the image smaller sized so it would all fit, and then it could have been cropped to 3:2.
A straight edge held to the top railing on the right shows a comparable bow, which is noticeable. Considerable vignetting (dark corners). This is a pretty severe situation for the little compact video camera lens. Not Click here for more sure you would really wish to attempt this, but it can work. I did feel the really strong requirement for a hassle-free slide holder.
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Compacts don't specify their macro reproduction ratio, so the calculator can not include them. Numerous other techniques of holding and lighting up the slide are definitely possible. If you have a longer macro lens, you surely require something besides the ES-1 anyhow. You simply require a diffused light behind the slide, and a cam and macro lens in front of it.
One typical method places a lighted white paper or foam board background a foot or so behind the slide, with the video camera and macro lens on a tripod in front. Slide holder could be a plastic tablet bottle screwed to a board, with a slot cut at leading to hold the slide standing.
Camera tripod screws are a common 1/4-20 UNC screw (Unified Thread Standard, coarse thread, 1/4 inch size, 20 pitch getting slides to digital per inch), typical in any North American hardware shop. Speedlight flash is likewise excellent for freezing electronic camera shake. Or, merely standing the slide on a routine lighted slide sorting tray is generally the very same thing, pointing the lens at it, rear lighted.
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The holder should be simple and fast and stable, you do not desire it to move. Here's a cool DIY concept shared by Jim Simpson in Nova Transfer Slides to Digital Scotia Canada. The grooved installing for slides is 3/4 inch wood knobs, and it looks very convenient and easy to run. Tokina 100 mm macro lens on Nikon D 7100 camera, utilizing a white screen flashlight app (Android).
White balance is Cloudy, or Shade often (fixing specific slides will differ a little). Installing the electronic camera and the slide on the same board lessens any possibility of cam shake. Obviously, these do have to be installed at the proper range so that the slide fills your frame at your common 1:1 or 1:1.5 focus range.